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- <text id=94TT0673>
- <title>
- May 23, 1994: Museums:War and Remembrance
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- May 23, 1994 Cosmic Crash
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- MUSEUMS, Page 64
- War and Remembrance
- </hdr>
- <body>
- <p> An upcoming Smithsonian Institution exhibition of Hiroshima
- angers some American veterans
- </p>
- <p>By Hugh Sidey--Reported by Jerry Hannifin/Washington
- </p>
- <p> War is hell, and its commemoration, while less lethal, can
- be just as bedeviling. For the past eight years, technicians
- at the Smithsonian Institution's National Air and Space Museum
- have been meticulously restoring the Enola Gay, the B-29 that
- in 1945 dropped the first atom bomb, destroying Hiroshima and
- leading to the end of World War II. An exhibit centered on the
- front section of the plane's fuselage is scheduled for next
- year's 50th anniversary of the bombing. But Air Force veterans
- have seen the 559-page proposal for the show. And they are feeling
- nuked.
- </p>
- <p> The display, say the vets, is tilted against the U.S., portraying
- it as an unfeeling aggressor, while paying an inordinate amount
- of attention to Japanese suffering. Too little is made of Tokyo's
- atrocities, the sneak attack on Pearl Harbor or the recalcitrance
- of Japan's military leaders in the late stages of the war--the catalyst for the deployment of atomic weapons. John T. Correll,
- editor in chief of Air Force Magazine, noted that in the first
- draft there were 49 photos of Japanese casualties, against only
- three photos of American casualties. By his count there were
- four pages of text on Japanese atrocities, while there were
- 79 pages devoted to Japanese casualties and the civilian suffering,
- from not only the atom bombs on Hiroshima and Nagasaki but also
- conventional B-29 bombing. The Committee for the Restoration
- and Display of the Enola Gay now has 9,000 signatures of protest.
- The Air Force Association claims the proposed exhibition is
- "a slap in the face to all Americans who fought in World War
- II" and "treats Japan and the U.S. as if their participation
- in the war were morally equivalent."
- </p>
- <p> Politicians are getting in on the action. A few weeks ago, Kansas
- Senator Nancy Kassebaum fired off a letter to Robert McCormick
- Adams, secretary of the Smithsonian. She called the proposal
- "a travesty" and suggested that "the famed B-29 be displayed
- with understanding and pride in another museum. Any one of three
- Kansas museums."
- </p>
- <p> Adams, who is leaving his job after 10 relatively controversy-free
- years, sent back a three-page answer stiffly turning down her
- request for the Enola Gay. The proposed script, he says, was
- in flux, and would be "objective," treat U.S. airmen as "skilled,
- brave, loyal" and would not make a judgment on "the morality
- of the decision ((to drop the bomb))."
- </p>
- <p> Meanwhile curators Tom Crouch and Michael Neufeld, who are responsible
- for the content of the display, deny accusations of political
- correctness. Crouch claims that the critics have a "reluctance
- to really tell the whole story. They want to stop the story
- when the bomb leaves the bomb bay." Crouch and Neufeld's proposed
- display includes a "Ground Zero" section, described as the emotional
- center of the gallery. Among the sights: charred bodies in the
- rubble, the ruins of a Shinto shrine, a heat-fused rosary, items
- belonging to dead schoolchildren. The curators have proposed
- a PARENTAL DISCRETION sign for the show.
- </p>
- <p> The veterans, for their part, say they are well aware of the
- grim nature of the subject. They are not asking for a whitewash.
- "Nobody is looking for glorification," says Correll. "Just be
- fair. Tell both sides."
- </p>
- </body>
- </article>
- </text>
-
-